“His recent landscapes evoke the early modernist landscape traditions (Fauvism, Paula Modersohn-Becker, Munch), but with a contemporary sense of scale, surface and off-handedness. The best is a winter scene in which two bare trees cast lavender shadows on the side of a light turquoise garage, giving the thick semi-abstract forms a sudden sense of worldly space.” —Roberta Smith, The New York Times (review, 2003)